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The design of these houses, located
in different areas of the Hellenic world, represents an extensive
investigation of the ways in which a contemporary house could
establish a relationship with a place (topos) and its history
without resorting to superficial stylistic imitations or to
pseudo-cultural references.
Koulermos' travels to the Greek Islands,
impressed upon him the way the numerous older buildings -the
small chapels, houses and monasteries - establish a physical
bond with the space surrounding them and with the greater natural
and human environment. In each case, 'style' has nothing to do
with these relationships. To understand better what makes these
buildings significant, he began a systematic research into the
design of the non-urban house. Primary interest lay in developing
concepts that drew their inspiration from a range of sources,
from urban to architectural typologies, from myths to poetry.
The houses emerged as buildings specific to an idea rather than
a function, all of them part of the land loved and respected
by Koulermos.
Four of the twelve houses were professional
commissions. The locations of the remaining eight were chosen
because of their historic background and diversity, and because
of the architect's familiarity with them for each house, was
selected a collaborating architect who worked on all stages
of the design. Most were ex-students, some were employed in
Koulermos' office.
It is unlikely that one would have the
opportunity as a professional to design twelve houses in this
highly selective manner. But as an architect and teacher Koulermos
considers this work a duty and a debt to a country that has
inspired him and so many other generations of architects.
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